Tayla Davis FHM South Africa May 2011

Posted by Admin

Tayla Davis FHM South Africa May 2011

Irina Shayk Luli Fama Swimwear Collection 2011

Posted by Admin

Irina Shayk Luli Fama Swimwear Collection 2011

Alessandra Ambrosio GQ Brazil April 2011

Posted by Admin

Alessandra Ambrosio GQ Brazil April 2011

Candice Swanepoel Victoria’s Secret Swim 2011

Posted by Admin

Candice Swanepoel Victoria’s Secret Swim 2011

Lily Aldridge Victoria’s Secret Bridal Wear 2011

Posted by Admin

Lily Aldridge Victoria’s Secret Bridal Wear 2011

Brittany Snow Maxim US April 2011

Posted by Admin

Brittany Snow Maxim US April 2011

Blanca Suarez FHM Spain March 2011

Posted by Admin

Blanca Suarez FHM Spain March 2011

Audrina Patridge Bongo Bikini Spring 2011

Posted by Admin

Audrina Patridge Bongo Bikini Spring 2011

Elle Liberachi FHM France March 2011

Posted by Admin

Elle Liberachi FHM France March 2011

Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts


Walter Adolph Georg Gropius (May 18, 1883July 5, 1969) was a German architect and founder of Bauhaus. Along with Ludwig Mies van der Rohe and Le Corbusier, he is widely regarded as one of the pioneering masters of "modern" architecture.

Life

Born in Berlin, Walter Gropius was the third son of Walter Adolph Gropius and Manon Auguste Pauline Scharnweber. Gropius married Alma Mahler (1879-1964), widow of Gustav Mahler. Walter and Alma's daughter, named Manon after Walter's mother, was born in 1916. When Manon died of polio at age eighteen, composer Alban Berg wrote his Violin Concerto in memory of her (it is inscribed "to the memory of an angel"). Gropius and Alma divorced in 1920. (Alma had by that time established a relationship with Franz Werfel, whom she later married.) In 1923 Gropius married Ise Frank (d. 1983), and they remained together until his death. They adopted Beate Gropius, also known as Ati. Gropius, like his father and great-uncle Martin Gropius before him, was an architect. But all sources agree that Walter Gropius could not draw, and was dependent on collaborators and partner-interpreters all through his career. In school he hired an assistant to complete his homework for him. In 1908 Gropius found employment with the firm of Peter Behrens, one of the first members of the utilitarian school. His fellow employees at this time included Ludwig Mies van der Rohe, Le Corbusier, and Dietrich Marcks. In 1910 Gropius left the firm of Behrens and together with fellow employee Adolf Meyer established a practice in Berlin. Together they share credit for one of the seminal modernist buildings created during this period, the Faguswerk, Alfeld-an-der-Leine, Germany, a shoe lace factory. The glass curtain walls of this building demonstrated both the modernist principle that form reflects function and Gropius's concern with providing healthful conditions for the working class. Other works of this early period include the office and factory building for the Werkbund Exhibition (1914) in Cologne.

Gropius's career was interrupted by the outbreak of the first world war in 1914. Called up immediately as a reservist, Gropius served as a sergeant major at the Western front during the war years, was wounded and almost killed.[1] Ironically the war provided an opportunity which would advance his career during the post war period. Henry van de Velde, the master of the Grand-Ducal Saxon School of Arts and Crafts in Weimar was asked to step down in 1915 due to his Belgian nationality. His recommendation of Gropius to succeed him led eventually to Gropius's appointment as master of the school in 1919. It was this academy which Gropius transformed into the world famous Bauhaus, attracting a faculty which included Paul Klee, Johannes Itten, Josef Albers, Herbet Bayer, László Moholy-Nagy, Otto Bartning and Wassily Kandinsky. Students were taught to use modern and innovative materials and mass-produced fittings, often originally intended for industrial settings, to create original furniture and buildings.

Also in 1919, Gropius was involved in the Glass Chain utopian expressionist correspondence under the pseudonym 'Mass'. Usually more notable for his functionalist approach, the "Monument to the March Dead", designed in 1919 and executed in 1920, indicates that expressionism was an influence on him at that time.


In 1923, Gropius aided by Gareth Steele, designed his famous door handles, now considered an icon of 20th century design and often listed as one of the most influential designs to emerge from the Bauhaus. He also designed large scale housing projects in Berlin, Karlsruhe and Dessau from 1926-32 that were major contributions to the New Objectivity movement.

With the help of the English architect Maxwell Fry, Gropius was able to get out of Germany in 1934, on the pretext of making a temporary visit to Britain. He lived and worked in Britain, as part of the Isokon group with Fry and others and then, in 1937, moved on to the United States. The house he built for himself in Lincoln, Massachusetts, was influential in bringing International Modernism to the US but Gropius disliked the term: "I made it a point to absorb into my own conception those features of the New England architectural tradition that I found still alive and adequate" (see [1]).

Gropius and his Bauhaus protégé Marcel Breuer both moved to Cambridge, Massachusetts to teach at the Harvard Graduate School of Design and collaborate on the company-town Aluminum City Terrace project in New Kensington, Pennsylvania, before their professional split. In 1944, he became a naturalized citizen of the United States.

In 1945, Gropius founded The Architects' Collaborative (TAC) based in Cambridge with a group of younger architects. The original partners included Norman C. Fletcher, Jean B. Fletcher, John C. Harkness, Sarah P. Harkness, Robert S. MacMillan, Louis A. MacMillen, and Benjamin C. Thompson. TAC would become one of the most well-known and respected architectural firms in the world. TAC went bankrupt in 1995.

Gropius died in 1969 in Boston, Massachusetts, aged 86. Today, he is remembered not only by his various buildings but also by the district of Gropiusstadt in Berlin.

In the early 1990s, a series of books entitled The Walter Gropius Archive was published covering his entire architectural career.


Important buildings

The building in Niederkirchnerstraße, Berlin, known as the Gropius-Haus is named for Gropius' great-uncle, Martin Gropius, and is not associated with Bauhaus.

Monument to the March Dead (1920) in Weimar, Germany.

Gropius House (1938) in Lincoln, Massachusetts.

A late work of Gropius:The Embassy of the United States in Athens
Source

For more fun click Teentweens
The Dynamic Architecture building, which will be constantly in motion changing its shape, will be able to generate electric energy for itself as well as for other buildings. Forty-eight wind turbines fitted between each rotating floors as well as the solar panels positioned on the roof of the building will produce energy from wind and the sunlight, with no risk of pollution. The total energy produced by this inbuilt ‘powerhouse’ every year will be worth approximately seven million dollars.

Each turbine can produce 0.3 megawatt of electricity, compared to 1-1.5 megawatt generated by a normal vertical turbine (windmill). Considering that Dubai gets 4,000 wind hours annually, the turbines incorporated into the building can generate 1,200,000 kilowatt-hour of energy.

As average annual power consumption of a family is estimated to be 24,000 kilowatt-hour, each turbine can supply energy for about 50 families. The Dynamic Architecture tower in Dubai will be having 200 apartments and hence four turbines can take care of their energy needs. The surplus clean energy produced by the remaining 44 turbines can light up the neighborhood of the building.
However, taking into consideration that the average wind speed in Dubai is of only 16 km/h the architects may need to double the number of turbines to light up the building to eight. Still there will be 40 free turbines, good enough to supply power for five skyscrapers of the same size.
The horizontal turbines of the Dynamic Architecture building are simply inserted between the floors, practically invisible. They neither need a pole nor a concrete foundation. In addition, they are at zero distance from the consumer, which makes maintenance easier.

The modern design of the building and the carbon fiber special shape of the wings take care of the acoustics issues. Producing that much electric energy without any implication on the aesthetic aspect of the building is a revolutionary step in tapping alternative energy sources. Furthermore, this energy will have a positive impact on the environment and economy.
Source
For more fun Click Teentweens

World's tallest sky homes

Posted by admin

Sky homes and urban parkland - a new 'green heart' for surfers paradise

Marchese + Partners design for 'evo' has been formally submitted as an Expression of Interest to the Gold Coast City Council. The $850 million proposal was prepared for Portberg Properties and includes two residential towers (101-storeys and 70-storeys) set amongst a 7000m2 public park. When constructed the e1 tower will eclipse Q1, currently the tallest building on the Gold Coast. The development is made up of two towers that have an organic form - e1 and e2. e1 is a 101 storey residential tower, it penetrates the ground to allow a cascade of water to stream into the new transit centre and retail level below. At its peak a revolving restaurant is planned to give unobstructed views of the Gold Coast. e2 is a 70 storey tower twisting and curving out of the landscape. Both towers feature sky gardens that grow within the sculptured form of the buildings. The towers sprout from the substantial urban parkland proposed for the ground level of the site which will become the new 'green heart' of Surfers Paradise.



Source
For more fun Click Teentweens